To visualize global warming, artist Olafur Eliasson and geologist Minik Rosing have transported 100 tonnes of ice, in twelve blocks, all the way from Greenland. They have been positioned like a large Ice Watch, in the middle of Town Hall Square, representing the exact amount of ice melting every second, at the moment. Wake up and smell the urgency, someone.
The blocks were put in place on Sunday, but the earliest I could make it was the next day, and already so much was gone. In part melted away, but equally trashed by kids, kicking off pieces and crushing the bits. I get the climbing and touching and even licking part, but breaking off the ice in large chunks? In a way that kind of says it all, doesn’t it? Humans.
Eliasson is quoted saying he hopes this will make climate change real to the spectator, and I want him to be right, but mostly it just seemed like the scene of a party. Apart from the angry, yelling lady of course (one guess who, ha).
City Hall and Dannebrog in melted ice.
The Ice Watch brings back the image of Trude the polar bear, carved from a large block of arctic ice by Norwegian artist Olaf Storø. The magnificent animal was on display in Copenhagen during the COP15 climate assembly fiasco, equally left to melt away. To me that message was more powerful than the Ice Watch, but then I am a sucker for things with a face.
Bright lights from the commercial wall, breaking through the abducted ice, so far away from home. It makes me want to protect it, somehow. Maybe that is how we are supposed to feel? Does it work the same for you?